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Presented in two parts with covers that will form a diptych, Calendar Tale, narrated by our titular hero, sends us to various earlier points in the story where certain events had yet to occur—when, for instance, the shady “expert” Oshino was still in town, and the ex-legendary vampire Shinobu hadn’t tired of sulking in a corner. Weaving in a motif of ways, paths, roads, and streets—walks of life—the nostalgic vignettes hark back to the “case files” feel of the series-launching Monster Tale, but with a twist. Not all oddities are supernatural: stones and flowers; sand and water; the wind and the tree can just be plain weird without being aberrations. In this installment, say hello from the future to class president among class presidents Hanekawa, acid-tongued girlfriend Senjogahara, cheeky lost child Hachikuji, smutty athlete Kanbaru, pathologically shy Sengoku, and justice-loving martial artist Karen, young ladies who love to make our young man sweat.
$24.00
Circling back to a middle school girl’s apotheosis, if we can call it that, in Otorimonogatari, and the mortal threat it poses to the hero and his girl, this “Season Two” finale is narrated, for the first time in the series, by a grown-up—but if the word conjures a sense of reliability, of stability and certainty to you, dear reader, then the lesson to take home from this is to trust no one. Because the teller of the tale, who has been summoned by the heroine to defuse the situation, despite having been her nemesis since the very outset of the series, is—in the absence of the equally shady adult, Oshino, who at least was an expert—none other than his college frenemy, the fake ghostbuster who doesn’t believe in ghosts, the shameless swindler Deishu Kaiki. And it is indeed a con that he agrees to perpetrate, uncharacteristically pro bono, on a wrathful god—a mythic undertaking if true, which it may be, when a liar among liars holds that his story, like any other, is all a lie. But maybe not, when a man who claims to be wise in the ways of the world sounds just as self-conscious as his adolescent counterparts or a Russian anti-hero.
$26.00
It, like the dark that makes up most of the cosmos, is not an aberration. Nonbeing can swallow you whole, yet if anything, it’s the anti-aberration. Darkness, in fact, is the Law, an executioner from whom a mark can try to run and hide, but only for so long. When it comes calling, the fortunate just might have the time to say goodbye. And the Darkness is—here now. Before ever visiting Japan to find a place to die, four centuries, indeed, before her failed suicide attempt, the legendary vampire Kissshot literally stepped foot on the land of the rising sun with an epic jump that ended a lonely sojourn in Antarctica. It was back in those days that the proud noble created her first thrall. It was then, too, that she first met the Darkness. Having messed with a more recent past with her help, and returning to the present to reunite with two more characters that look like little girls but are actually his elders, Thrall No. 2 Araragi reclaims the mic only to cede it in large part to the bloodsucking demon who goes by “Shinobu” these days. Her story, though, may not even be the most poignant one told herein.
$26.00
How far does one go to help a lost child? In the case of returning narrator Araragi, the answer is too far, across the veil of time. Dutifully (if unknowingly) following up on Hachikuji’s cheeky foreshadowing, he concerns himself with his young lady friend and her fate in this installment of the cult-hit series, heroically unable, once again, to find his own way home. Thus the tale is also, or more so, about the journey itself, the dark honeymoon of a trip he takes into the past with the dweller in his shadow, Shinobu. Even among a cast that routinely disrespects chronology with their meta-commentary, she takes the cake, or the donut, by rewinding the clock for a perverse road movie, one that by and large goes nowhere, spatially. It’s Kabuki not as in the theater, but with the character for “tilt”—as in a slanted attitude toward the world, the posture of a bohemian. Or, perhaps, of a legendary vampire who once sought death, and of a high school senior who once tuned out life doing their dandy best to attend to an embarrassing wealth of aberrations in a provincial town.
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Launching into new territory that the author hadn’t mapped out when he embarked on the series, NEKOMONOGATARI (White) tells the tale of heroine Tsubasa Hanekawa from her own perspective, in her own voice—if that can hold true for a damaged soul who, depending on who you’re asking, suffers from a split personality or a supernatural aberration. The bone-chilling brokenness of her household, where father and mother and daughter keep three separate sets of cookware in the same kitchen and only ever prepare their own meals, and the profound darkness nurtured in the genius schoolgirl’s heart, come to life, if that is the word, through her self-vivisection. As for our customary unreliable narrator, Araragi, we seem to learn revealing tidbits about him now that we have an outside view of him at last, while his lady friends Senjogahara, Hachikuji, et al, freed from his predilection for proudly inane banter, show subtly new faces to us via their female interlocutor. Welcome to the Second Season.
$26.00
Following up on the high note of family ties on which the previous installment concluded, but preceding it chronologically, we find Araragi and his little sister Tsukihi, the heroine of the last volume, in full sibling rivalry mode as they bicker about love. The conversation that cannot end unfolds in its unabashed original glory herein. Like KIZUMONOGATARI, which delved into our narrator’s disastrous spring break, Cat Tale (Black) is a prequel about another catastrophe, mentioned often yet never recounted even in a foregoing chapter dedicated to Miss H.: namely, the model student’s rampage over Golden Week, a string of holidays starting at the end of April. Closing out what has come to be known as the “First Season” of the series, this episode of ’GATARI, as rich as ever in silly banter and poignant profundities, richer than usual in snide meta comments about the anime, will make you laugh and cry, or just put a grownup smile on your face, maybe, but is guaranteed to stay with you forever.
$26.00
Originally planned to be the series’ conclusion, “final” chapter “Tsukihi Phoenix” invites us back to the seemingly eventless country burg where supernatural afflictions abound and characters change their trademark hairstyles at the drop of a hat. Rest assured, dear reader, that the story continued in Japanese and will do so in translation. In the first half of Fake Tale, lost soul Araragi helped resolve his bigger little sister Karen’s feverish run-in with a fraud. In this second half, he must attend to his littler little sister Tsukihi’s issues, but not before staging the Toothbrush Episode that the acclaimed anime adaptation’s viewers find quite memorable—whether they like to or not. As fraught with ominousness as a dark empty street, as unexpectedly full of feeling as an acid-tongued girlfriend, as sidesplittingly funny as a horny retired jock, and (maybe even) as educational as college in the best MONOGATARI tradition, this volume also introduces us to “ghostbusters” Yozuru Kagenui and Yotsugi Ononoki.
$26.00
Around midnight, under a lonely street lamp in a provincial town in Japan, lies a white woman, a blonde, alone, robbed of all four limbs, yet undead. Indeed, a rumor’s been circulating among the local girls that a vampire has come to their backwater, of all places. Koyomi Araragi, who prefers to avoid having friends because they’d lower his “intensity as a human,” is naturally skeptical. Yet it is to him that the bloodsucking demon, a concept “dated twice over,” beckons on the first day of spring break as he makes his way home with a fresh loot of morally compromising periodicals. Always disarmingly candid, often hilariously playful, and sometimes devastatingly moving, KIZUMONOGATARI: Wound Tale is the perfect gateway into the world of author NISIOISIN, the bestselling young novelist in Japan today. The prequel to BAKEMONOGATARI (“Monster Tale”), this is where the legendary MONOGATARI series, whose anime adaptations have enjoyed international popularity and critical acclaim, begins.
$25.00
A beautiful queen rules her country with an iron fist. Unmarried and without an heir, she adopts orphans as a way to prove that even commoners can reign as kings. Yet, as the years progress, she shows no sign of aging. Only one man knows the dark secret to her eternal youth: Oldman, a bearded magician the queen has locked in her darkest dungeon. One night, Oldman steps through the bars of his prison and disappears before the queen’s very eyes. Enraged, she sends her army after him in a desperate campaign to keep her secret hidden. Having tricked the guards (and not actually having left the dungeon), he rescues a neighboring prisoner, a sword maiden rebel whose arms and legs were amputated and left to rot in her cell. Upon taking her to an underground "doctor" who fits her with mechanical arms and legs, they together vow to take revenge on the Queen that wronged them. The beautiful artwork and elegant story-making of Chang-Sheng’s Oldman propelled it into award-winning national fame; now, this iconic comic is ready for the global audience it deserves.
$21.00
Words are powerful. Insults and rumors can derail a career; a bit of encouragement can give someone the strength to pursue their dreams. When a high school boy skipping class to sketch shoe designs and a taciturn woman drinking a morning beer meet in a Tokyo park, they say little, but the woman bids farewell with an ancient tanka poem. Will the boy figure out the poem's meaning - and its corresponding response - before it's too late?
$21.00
Tickets please! Place your bets! Who’s the coolest of them all? They didn’t start the fire, but this band of dorks still got that oomph… + 1. With a new bro in the squad, they’re ready to bring it-best of three, right? Y'know, against all odds, they always come out on top! But this time, well...keep watching! The match ain't over yet.
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Warm-up’s over. Easy mode’s off now, but nothing is impossible when they’re all in this together. Get ready for this crew of dorks overflowing with pizzazz to turn it up! Ladies and gents, return to your seats…it’s time for Act II.
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FINAL VOLUME Kinichiro isn’t even that bad. It’s just that on the first day of high school, his narrow eyes made him look shifty, so people assumed he was trouble. Now it’s graduation, and he’s looking back on three years with no friends. He never even joined a club. But after a bloody collision and an accidental fall, he wakes up a high school freshman, with the chance to try it all over…AGAIN!!
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The continuing existence of the ouendan is ensured, now that it’s survived its first real field test. But now that Kinichiro’s achieved his primary goal, he finds himself at somewhat loose ends, and the prospect of re-living the next three years with all of his foreknowledge brings with it a new set of problems. Meanwhile, Reo’s determined to finish what she started with him, one way or another…
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The curtains close on the drama club and the ouendan’s underground performance of I Want to Die: The Musical to a roaring success, but the real drama soon follows Kinichiro, Aki, and the rest of the cast off stage. The group may have successfully set Hanataka on the path to stardom, but when Aki comes to an alarming realization about her relationship with Hiro, and the fate of the ouendan falls into jeopardy once again, one thing becomes certain: Not everything will be like it was before the do-over.
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Hanataka might be a death-obsessed wallflower, but Kinichiro has seen her future as a swimsuit model sex icon. He’s determined to help her fulfill her celebrity destiny, so the ouendan’s goal becomes nothing less than turning Hanataka’s drama club debut into a smash hit. Kinichiro’s penning the script for a musical suited to her depressive tendencies, but when video from their rehearsal goes viral, success will depend on the ouendan’s ability to overcome the greatest obstacle any high school student will ever face: a teacher who truly doesn’t get it…
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The president of Kanan High School’s drama club is also its only member: Hanataka. Three years from now, Hanataka is going to be a celebrity famous for her sex appeal, but in high school she’s timid, unsociable, shabby-looking, and widely disliked. Kinichiro can’t help but be fascinated with her, and convinces Usami to have the ouendan cheer for the drama club’s performance at the school festival. It’s a new chapter for the ouendan, but is Kinichiro’s “help” even welcome?
$22.00
To save Mitsuha and all of Itomori from the comet Tiamat, Taki joins up with Saya-chin and Tesshi to evacuate the town. But Mitsuha's father is stubborn and refuses to listen...
$22.00
The second installment of the manga adaptation of the film that took the world by storm!
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Based on the hit animated film! Mitsuha, a high school girl from a town deep in the mountains, dreams of an unfamiliar life in Tokyo. Taki, a high school boy from Tokyo, dreams that he is a girl living in the mountains. As the two change places in their dreams, their encounter sets a miraculous story into motion.
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The humorous and heartfelt autobiographical comic essay of an otaku manga artist! Follow her journey as she learns the ins and outs of pregnancy and childbirth.
$25.00
Sixteen-year-old Mikako Nagamine enlists as a pilot to fight in the interstellar war against a force of alien invaders, leaving behind her one true love. Mikako’s only connection to Noboru Terao, who’s living the life of an ordinary high school student, is through cell-phone text messages. As Mikoko travels farther away, it starts to take longer and longer for Noboru to receive her messages, until finally one arrives eight years and seven months after she sent it. The war rages on, and years pass, but out in space, Mikako barely ages. When at last the fighting ends, she is left stranded on the spacecraft carrier. A rescue mission is launched to help - including Noboru, who’s now a lot older. When they meet again, they’ll discover whether their young love survived.
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Mikako Nagamine is recruited as a pilot to fight in the interstellar war against a force of alien invaders, leaving behind her one true love. Mikako’s only connection to Noboru Terao, who continues living the life of an ordinary student, is through cell phone text messages. As Mikako travels light years away, it takes longer and longer for Noboru to receive her messages, until finally one arrives eight years and seven months after she sent it…
$21.00
Love can move at the speed of terminal velocity, but it can only be shared and embraced by those who refuse to see it stop. Takaki Tohno quickly befriends Akari Shinohara when she transfers to his school. They grow closer to each other due to similar interests and attitudes; for instance, they both prefer to stay inside during recess due to their constitutions. As a result, they form a strong bond. Upon ending their school year, Akari moves to Tochigi due to her parents' jobs. The two keep in contact by writing letters, but eventually begin to drift apart.
$29.00
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